This is not any official key.
Neither, it claims validity as few may be wrong too. It’s just an attempt to
frame a tentative key as we have observed that the key UGC releases, happens to
be without any justification and thus quite questionable. Even after complain
hardly it changes. Sometime, they just throw wrong key to validate their
questions. So, let’s make an alternative key before UGC releases theirs’.
Initially, I have tried to give it a shape and now it’s over
to you all. So, bring out your question paper(s), check with it and if you have
any objection(s) with the key given here, please do comment below and it will
be updated. So, let’s do it.
Q No
|
Question Tag
|
Answer Key
|
Tag
|
1
|
Match
|
B
|
I - 2, II - 4, III - 1, IV - 3
|
2
|
Feminism Posits...
|
C
|
I and III are correct
|
3
|
Brecht’s
work...
|
B
|
Three
Penny Opera
|
4
|
The Anatomy of Melancholy
|
C
|
Democritus Junior
|
5
|
The Castle of Otranto tells
|
B
|
Kills his own daughter by mistake
|
6
|
In
the Literature of Romanticism...
|
C
|
The
Ruined Cottage
|
7
|
Banned
for obscenity...
|
A
|
The
Picture of Dorian Grey
|
8
|
A. S. Byatt...
|
B
|
Possession
|
9
|
JM Coetzee’s Disgrace...
|
B
|
Complex Narrative...
|
10
|
Final
Solution
|
C
|
...Homosexual
Relationship
|
11
|
Carnivalesque represents...
|
B
|
Harking
Back...
|
12
|
Not true about Patrick White...
|
A
|
Epic and Psychological...
|
13
|
Early Modern English
|
C
|
1500
|
14
|
R. K. Narayan’s character…
|
C
|
Vasu:
Man Eater of Malgudi
|
15
|
Not true of Post-Structuralism...
|
C
|
…no
a-textual ‘origin’...
|
16
|
The Swamp Dwellers
|
A
|
…family,
the extended family...
|
17
|
Arrangement
|
D
|
III, IV, I, II
|
18
|
Play
not by Tagore...
|
D
|
Eknath
|
19
|
Assertion & Reason...
|
D/B
|
|
20
|
Pre-Raphaelites was to...
|
B
|
Simplicity
and naturalness...
|
21
|
Does not use the play within a play
|
B
|
Women
Beware Women
|
22
|
Assertion
& Reason...
|
B/A
|
|
23
|
True
of April Raintree
|
C
|
I
and III are correct
|
24
|
“She dwells with beauty”...
|
C
|
Melancholy
|
25
|
Kafka’s
Trial...
|
C
|
Historical details...
|
26
|
Match
|
D
|
I - 3, II - 1, III - 4, IV - 2
|
27
|
Assertion
& Reason...
|
D/B
|
|
28
|
Best describes ‘deconstruction’
|
A
|
‘…cantered
discourse’...
|
29
|
Not a writer of African American...
|
Not
Sure
|
|
30
|
Tintern
Abbey...
|
C/A
|
|
31
|
Assertion & Reason...
|
A
|
Both
are true and...
|
32
|
‘Kilderkin’
|
D/B
|
............
|
33
|
Not
true of Remains of the Day...
|
D
|
...successful film...
|
34
|
From a second space...
|
D/C
|
|
35
|
“Lightly, O lightly”...
|
A
|
Palanquin
Bearers
|
36
|
Anita Desai’s children book
|
D
|
The Village by the Sea
|
37
|
‘Not
which you see...’
|
A
|
D. H. Lawrence
|
38
|
Milton invokes...
|
D
|
I & IV are correct
|
39
|
Basic principle of New Criticism...
|
D
|
…backdrop
of historical events...
|
40
|
Death
in Venice...
|
C/D
|
|
41
|
Lacan posits...
|
B
|
Unconsciousness
|
42
|
Assertion & Reason...
|
B/A
|
|
43
|
Match
|
C
|
I -2, II - 4, III - 1, IV - 3
|
44
|
‘Lexis’...
|
A
|
meaning or grammatical functions
|
45
|
Writers in social activism...
|
C
|
I & III are correct
|
46
|
Spencer’s Faerie Queene
|
B
|
Chastity-Britomart...
|
47
|
Divine Comedy cantos...
|
B
|
33
|
48
|
The
Modern Promethean
|
B
|
Frankenstein
|
49
|
In
Words Upon Words...
|
C
|
Languages do not get borne...
|
50
|
‘Loose
Baggy Monsters’...
|
A
|
Novels
|
51
|
Opening line of David Lodge’s...
|
B
|
Changing Places
|
52
|
End of The
Portrait of the Lady...
|
B
|
III
and IV are correct
|
53
|
‘Umber’
means
|
A
|
…dusty yellow...
|
54
|
‘I
think therefore I am’...
|
A
|
Lacan
|
55
|
End of In
Memoriam...
|
D/C/A
|
|
56
|
Social rules of language...
|
D
|
Pragmatics
|
57
|
‘Ecological Imperialism’
|
D
|
Alfred Crosby
|
58
|
Defoe’s
protagonists...
|
C
|
Robinson Crusoe
|
59
|
Match
|
A
|
I- 4, II - 1, III - 3, IV - 2
|
60
|
Poem
extract...
|
B
|
Arun
Kolatkar’s Jejuri
|
61
|
Major
symbols, A Passage to India
|
C
|
I
and III are correct
|
62
|
Crime
and Punishment
|
D
|
I and III are correct
|
63
|
“Count no man happy...”
|
C
|
Oedipus the King
|
64
|
Characteristics
Metaphysical Poetry
|
B
|
I
and IV are correct
|
65
|
‘Pride’
refers to...
|
A
|
vanity
|
66
|
Interpretation
is not correct...
|
D
|
…reminds him of her infidelity
|
67
|
World Englishes within...
|
C
|
Braj
Kachru
|
68
|
Volpone’s ‘saint’...
|
C
|
Gold
|
69
|
Close friends of Dickens...
|
A
|
Wilkie
Collins
|
70
|
Influence of an affective factor...
|
C
|
…finds
it impossible to form...
|
71
|
“The Coronet” seeks
|
A
|
body and soul
|
72
|
Not true of Post-structuralism...
|
C
|
…no a-textual ‘origin’...
|
73
|
Second language learner...
|
A
|
A
high school student...
|
74
|
In
Wuthering Heights...
|
A
|
Lockwood
|
75
|
Thomas More’s Utopia...
|
B/D
|
......
|
