Wednesday, October 28, 2015

Friday, October 23, 2015

Fwd: [WhatsUpUoH] Invitation of lecture series of Savi Savarkar, Visiting Fellow, College of Arts, Delhi University

CENTRE FOR DALIT & ADIVASI STUDIES AND TRANSLATION

University of Hyderabad

School of Humanities

Cordially invites for lecture series of

Sri Savi Savarkar

Visiting Fellow from College of Arts, Delhi University

Schedule of Lectures

Date

Time

Topic

Venue

21/10/2015

3:30 p.m

Dalit Art and Visual Imagery : Through Visual Communication

Lecture Hall

Humanities

23/10/2015

3:30 p.m

Social Exclusion : Untouchability and Discrimination in Visual culture

Lecture Hall

Humanities

26/10/2015

3:30 p.m

Politics of Image : Image of Politics

Lecture Hall

Humanities

28/10/2015

3:30 p.m

Face of Contemporary Untouchability : Dalit  Art and Aesthetics

Conference Hall / ASISH

30/10/2015

3:30 p.m

Buddhist Art and Aesthetics : Social Transformation

Conference Hall / ASISH

Prof. R.S. Sarraju

Head I/C, CDAST

Sri Savi Savarkaris a well-known Artist (Painter and Print maker) has worked on Dalit, Gender, Devadasi issues and the problems of untouchability and discrimination. His works were exhibited in India and abroad.


-- 
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Fwd: [iaclals] CFP Variations, Rewritings and Adaptations of the Jātaka Tales and Buddhism in India Today



SARI 2016 Annual and International Colloquium
26, 27 and 28 May 2016
 
To be held in the premises of the University of Paris 13
 
With the support of
CERAP, Université de Paris 13
& CREA Université Paris Ouest Nanterre La Défense
 
Guest speakers
Prof. Jon Solomon, Université Lyon 3
and
                                                                                                  Dr. Naomi Appleton, Université of Edinburgh
 
 
Variations, Rewritings and Adaptations of the Jātaka Tales and Buddhism in India Today
 
     The Jātakas, "birth-stories" or tales of Gautama Buddha's past lives and appearances both human and animal, constitute the main fiction genre of the Theravada Buddhist literature and serve as mediators of knowledge between the different constituents of Buddha's teaching and related life principles. Besides the semi-canonical Jātakatthavannanā, the largest and most prominent collection, composed in Pāli, there exist other Jātaka stories either organized as collections or scattered throughout other early Buddhist texts. The interest for the Jātakas has never faded, not only in South and South East Asia where they were born, and circulated, but also the world over.
     These tales from the far away past (between 4th century BCE and 5th century AD) have been retold, rendered, or adapted, and appear thus in a great number of versions, variations, and translations. The Jātakas serve not only as a source of creation in literature, but have more interestingly been recreated in diverse art forms, such as architecture, painting, cinema, theatre, dance or oral recitations.
     The objective of the conference is not only to revive interest in the inexhaustible literary source that the Jatakas represent but also to take stock of the relevance and impact of Buddhism in India today.
     The conference invites papers exploring the Jātaka tales within a large spectrum of cultural and cross-cultural contexts along the following possible lines:
 
I. Textual analysis
- the Jātakas as genre: tales or fables told in verse or prose
-linguistic aspects of the Jātakas: language and style
-the Jātakas and Buddha's biographies; significance of the tales as per Buddha's biographies
-the Jātakas' symbols and significations
-Bodhisattva as animal representation and the world of nature in the Jātakas: animals, plants, cosmological representations
-representations of the divine and the human in the Jātakas
 
II. Comparative analysis
-popular folk sources of the Jātakas
-the Jātakas and same-culture narratives: parallels of the Jātakas in other Indian literary creations (Panchatantra, Mahabharata, Ramayana; the Jātakas and the Avadānas)
- the Jātakas and other-culture narratives: e. g. European connections (Herodotus, Aesop, Lafontaine etc.)
- renderings and adaptations of the Jātakas
- the Jātakas in translation
-the Jātakas as other artistic representations: e.g. painting, sculpture, film, theatre
-reception of the Jātakas in different cultures
-representations of the Jātakas in popular art
 
III. The Jātakas and their diverse cultural interpretations
-the Jātakas in the context of Buddhism/Pali Canon (Theravadda Buddhism: Sutta Pitaka /one of the "three baskets", Khuddaka Nikaya), the Jātaka canon and outside; "official" and apocryphal Jātakas
-the Jātakas and the Buddhist concept of rebirth in dialogue: endorsed or challenged by other concepts or theories (same-culture, cross-cultural contexts)
-the Jātakas and their relational context: the figure of narrator, audience, purpose, the perception of the Jatakas in the today's society.
-ideological features of the Jātakas
- research on the Jātakas


IV. Buddhism in India today
- Buddhism and nonviolence: Gandhi, Tagore, Ambedkar, relations with Islam
- conversion to Buddhism, especially of Dalits
- the current state of the Buddhist minority
- the weight of Tibet in India-China relations
- Japanese contribution to the conservation of Buddhist cultural heritage
- the cultural heritage of Buddhism as a factor of diplomatic reconciliation between India and Sri Lanka
- Buddhism and Burmese democracy
 
     While these are topics for general orientation, the organizers will be happy to welcome various other suggestions and proposals from colleagues interested in attending the event.
    
     Abstracts that do not exceed 200 words should be sent to <ludmila.volna@free.fr> with copy to geetha.dore@univ-paris13.fr
 
 
SARI website: www.sari-france.org

-- 
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Wednesday, October 21, 2015

Politics and Poetics of Representation: Popular Culture and Contemporary Media

 

 

Call for Papers

National Seminar on

Politics and Poetics of Representation: Popular Culture and Contemporary Media

 

15th and 16th of December 2015

Organised by

PG Department of English

SS College Areacode (Accredited by NAAC with A grade)

Affiliated to Calicut University

Areacode , Malappuram, Kerala, India

sscollegemediaandculture@gmail.com

http://mediaseminar15.blogspot.in/

www.sscollege.ac.in

 

The emergence of disciplines like Media Studies and Cultural Studies has initiated critical debates on the way media represent popular culture. The politics and poetics of media intervention in the sphere of culture, when looked at from a critical vantage point seem very problematic. The omissions, distortions, and sometimes even blatant misrepresentations in the media space have come under scanner.

            In the last couple of decades, the agenda of mainstream media is increasingly set by the New Media. Social Media is no more an inferior other, but an equal stake holder. The tools of new media have metamorphosed the otherwise passive consumers of news to actual producers of news. The possibility of instant circulation and critical intervention makes social media space a potent force in the contemporary times. Social media is a site where print, mass, and online media converge. 

In the contemporary global context, media space is witnessing radical transformations. On the one hand there is the corporatization of media, and on the other hand there is the emergence of alternative media. Media has emerged as a site of critical intervention, but attempts are made to curtail the freedom of expression and to curb the freedom of the press.

The main objective of this seminar is to problematize and interrogate such critical issues. The political, sociological, and cultural dimensions of these issues are pertinent in these troubled times. The seminar aims to bring together media persons, cultural activists, and academicians so as to initiate more meaningful explorations of the linkages between popular culture and contemporary media.

We invite abstracts from media persons, academicians, research scholars and students on the following thrust areas.

·         Media and Representation

·         Media and Education

·         Media and Culture

·         Media and the Subaltern

·         Media and Youth

·         Digital India and Digital divide

·         Net Neutrality and Freedom of Expressions

·         Media and Censorship

·         New Media

Guidelines for Submission

Ø  Authors are requested to strictly follow the following submission guidelines:

Ø  Manuscript must be written in English language

Ø  File must be in Microsoft Word format. (Preferably Word 2007)

Ø  Paper size: A4, Font & size: Times New Roman 12, whereas the title must be in 14 point size, bold.

Ø  Word – limit: 250 words for abstract and 2500 words for full paper.

Ø  The authors may follow MLA 7th or later edition in preparing their papers.

Ø  Add about 4 to 5 keywords one line bellow the abstract.

Ø  Mail your abstract to sscollegemediaandculture@gmail.com

Important Dates

Last Date for submission of abstracts:  17th November 2015

Date of Intimation of Accepted Papers: 22rd November 2015

Last Date of Submission of full Papers: 12th December 2015

Registration Fee

 

Participation

Participation and presentation

Publication

Students

100

200

1000

Research Scholars

100

250

1000

Teachers

200

300

1000

Selected Papers will be published in a book with ISBN number

Lunch will be provided for the registered participants on both days

Important Information

Mail your abstract to   sscollegemediaandculture@gmail.com

For more details

Visit the Seminar Website (Selected abstracts will be published in it)

mediaseminar15.blogspot.in

sscollege.ac.in

Call : 9846756354, 9895922512

Seminar Co-coordinator                      Convenor                                               HoD

Jouhar.k                                 Ashfar SAdth                                    Dr. Zahira Rahman


--
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Tuesday, October 20, 2015

New OUP Publication : 'Periodical Press and Colonial Modernity'

Dear Friends : 

I am happy to share the news of my latest publication :

'Periodical Press and Colonial Modernity: Odisha, 1866–1936,' Oxford University Press, 2015

Book Description:

The late nineteenth and early twentieth centuries witnessed the emergence of colonial modernity in Odisha through the genre of the periodical press. How did the modernity project evolve in colonial Odisha? What were its contours? Was this modernity entirely consensual, or was it contested in the pages of the periodicals through an alternative modernity? This book addresses these and other questions about a forgotten chapter of India's intellectual history.

Tracing the growth and decline of the Odia periodical press, the book studies its interface with colonial/alternative modernity in the region. It explores various aspects of two pioneering Odia magazines—the newspaper journal 'Utkal Dipika' and the literary journal 'Utkal Sahitya'—their economic and political bases, their patronage systems, the cultural and ideological backgrounds of their editors, and the role these journals played in shaping the Odia literary sensibility and identity. It shows how the periodical press shaped ideas and the material culture of the region and, in turn, got metamorphosed by the play of contemporary cultural and ideological forces.

____________________________________________

Warm Regards

Sachidananda Mohanty

Sunday, October 18, 2015

Giving Voice to the Silenced: Presentation and Construction of Subaltern in Literature and Media

                                                          MES PONNANI COLLEGE

                                                                      CALL FOR PAPERS

Dear Sir/ Madam

Department of English, MES Ponnani College, Ponnani, is organizing a two day U.G.C Sponsored National Seminar on Giving Voice to the Silenced: Presentation   and Construction of Subaltern in Literature and Media, in the second week of January 2016. 

 About the Seminar

            Subaltern is a constituency whose voices and social locations have generally been ignored by the privileged scholarship deliberately. Society tends to tag certain people as outside the norm - sinister, ghoulish, detestable and futile and relegates them to the fringes of society. Academic disciplines were predisposed to the advantaged lives till then and Subaltern studies delineated itself as an endeavor to approve to populace finally to speak within the invidious leaves of elitist historiography and in so doing, to articulate for, or to reverberate the hushed voices of, the truly browbeaten.  They also shed new lights on the domains of culture and politics of the period and their roles in the whole picture. These writings have been able to outline the whole process of history being written from the point of view of elite nationalism and their confines. Writing such history constitutes subversive cultural politics because it exposes forms of power/knowledge that oppress subaltern peoples and also because it provides liberating alternatives.  Subaltern studies also try to track resistance, even to the smallest degree, in an attempt to represent the subaltern as an active agent in her/his own history.   Instead of merely enacting the tragic predicament of the subaltern, it mirrors the subaltern method of piecing together histories by examining the fragments and shards of a broken past that get lost in the process of historical explanation. The historical representation of the various lower-class subaltern groups was framed in the terms and interests of the ruling power, or dominant social class. Their works were not propaganda for subaltern groups but its politics of representation is such that rather than speaking for the subaltern unswervingly, it betrays the dominant manipulative and exploitative ideology using their own discourse. The seminar intends to find out how the marginalized is presented in literature and media in the hands of subalterns themselves and how they are constructed in the writings of dominant group and tries to identify whether there is a hidden pitfall in the glorification of subalterns in the works of  dominant class.

 

The term 'subaltern' has got wider implication and the plight of any marginalized group which is being   trampled down by the scrounging elitist can be discussed under that title. Here, leaving the broad platform, the focus is restricted to Dalits, Tribals, Transgenders, Sexual Workers and Slum Dwellers so that somber and profound deliberations can be ensued.

As Arundhati Roy said, "There's really no such thing as the 'Voiceless."

There are only the deliberately silenced, or the preferably unheard."

Let that   silence be broken here! Let those muffled sobs be heard here.

 

            Original, unpublished papers from academia, experts in the concerned area and students/research scholars are invited for the presentation. The proposed papers can be on the topics listed below. Papers on the broad area of subaltern studies also will be considered, yet, we will be thankful if you choose to focus on the special areas mentioned here.

            1.Dalits 2.Tribals 3.Transgenders 4.Sexual workers 5.Slum Dwellers

            Those   who wish to present papers in the seminar are requested to mail their abstracts       (300 words) to english.mespni@gmail.com.  Acceptance of the abstract will be intimated   after a screening process. The soft and hard copies of the full papers (2500-4000, Latest      MLA style) should be sent before the due date.

Dates to Remember

              Last date for the receipt of abstracts: 20 October 2015

              Intimation of selected abstracts: 25 October 2015

  Last date for the submission of full papers: 25 November 2015

 

Abstract and Paper Format

 

The author's name, designation, name of the institution, email, telephone number and the address for communication should be specified on the right side just below the title.

Typing space should be 1.5

 Font type: Times New Roman

 Font Size:  14 for title and 12 for normal text

 Contact Details

Ameera. V.U, Assistant Professor, Department of   English   Ph: +91 9961314545

            Looking forward to your response

Abdul Ali.T.M                                                                                                Ameera. V.U

HOD English                                                                                                        Convenor


--
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Fwd: Regarding an International Conference at JNU, Jaipur, India (Elsevier Journal Publication)

Dear Abu Saleh,

"Requesting you to kindly forward this email to all the Faculties, Research Scholars and PG students in the Department & Institution
"


Jaipur National University, Jaipur, (India) is organizing an International Conference on Engineering and Material Sciences-ICEMS-2016 during March 17-19, 2016. (icems.jnujaipur.ac.in). The topics are Engineering, Bio-Technology, Physics, Chemistry and Mathematics. All Accepted papers will be published in ELSEVIER JOURNAL- PERSPECTIVES in SCIENCE (Approval Obtained) ISSN: 2213-0209. Each paper will be assigned an Individual DOI Number, Indexed in Scopus & DOAJ and Published in SCIENCE DIRECT in OPEN ACCESS. More details can be found from the website  http://icems.jnujaipur.ac.in/


Journal Home Page: 


http://www.journals.elsevier.com/perspectives-in-science/


Call for Paper in the Journal Home Page




Submission Guidelines

 

Students/Faculties/Researchers are requested to submit abstract prepared in the prescribed format- attached with this email to icems@jnujaipur.ac.in. All submitted abstract should be reports of original, unpublished research work, experimental or theoretical/review papers and must not be under consideration for publication elsewhere.


Procedures for Submission

1) You should submit the abstract  to (icems@jnujaipur.ac.in) as per the Template attached with this email. 
2) The Abstract will be reviewed and you will be notified acceptance/Rejection.
3) If your abstract is accepted, You should submit the Full paper online through Elsevier EES (http://ees.elsevier.com/pisc/). First you should register and then click 'submit a new paper' and select the "SI: ICEMS-2016" when selecting the article type. 
4) Maximum number of pages allotted for Full paper is 5 including Figures, Tables and References. Papers should be prepared in Single column format, Times New Roman (MS Word-12 font, with 1.5 line spacing. Margins can be 1" from all sides.

Plagiarism Policy


Plagiarism has been reported in research papers in last few years. All the papers should be checked for any unknown/known plagiarism before submission. Authors should certify that the paper is checked for plagiarism. The maximum limit of plagiarism that can be allowed is 20%. Some examples of Plagiarism check software are:

1)   http://smallseotools.com/plagiarism-checker/

2)   https://www.grammarly.com/plagiarism-checker

3)   http://turnitin.com/


Sorry if you have received multiple copies of this mail.

Best Regards.


Blessen Skariah Thomas,
Organizing Secretary, ICEMS-2016


--
International Conference on Recent Trends in Engineering and Material Sciences: ICEMS-2016
Dates: March 17-19, 2016
Organized by:  Jaipur National University, Jaipur, India




--
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Fwd: Update from Rupkatha Journal on Interdisciplinary Studies in Humanities


---------- Forwarded message ----------
From: Rupkatha Journal on Interdisciplinary Studies in Humanities <noreply+feedproxy@google.com>
Date: Sun, Oct 18, 2015 at 9:33 AM
Subject: Update from Rupkatha Journal on Interdisciplinary Studies in Humanities
To: abusalehenglish@gmail.com


Update from Rupkatha Journal on Interdisciplinary Studies in Humanities

Link to Rupkatha Journal on Interdisciplinary Studies in Humanities

Download Themed Issue on "Desire and Deceit: India in the Europeans' Gaze"

Posted: 16 Oct 2015 10:56 PM PDT

To download themed issue on "Desire and Deceit: India in the Europeans' Gaze" as a single PDF click here>>cvv7n2

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--
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45

Tuesday, October 13, 2015

Fwd: Manthan Jairam Ramesh


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--
Thanks & Regards:

Abu Saleh
PhD Research Scholar @ Centre for Comparative Literature (CCL)
School of Humanities, University of Hyderabad (UoH), India.
Mobile: +91 94 94 24 26 45